Deep in the long-grass: The timeline of the Fall

This will likely be the nerdiest insidest-baseball post that I will ever write. (Can one use “inside” in the superlative? American English for the win! Any word in any role!) One of the first-principles that undergirds the Racetrack Chronicles materials (as the background notes explain in more detail) is that I take the physics of the world seriously. In particular, the specifically-established time-delay: Signals are limited by the speed of light even though FTL technology allows ships to evade that limit. In this post, I will apply similar principles to find some order in the jumbled timeline of the last hours of the twelve colonies.


Before we get to the analysis, I must explain the context. This year, I have been writing a novel-length BSG prequel with the collective working-title Racetrack Chronicles. In July, work paused to await feedback on a private preview. In the meantime, I’ve been developing a second project in the same continuity; it has no working-title—because I am not writing it, just developing for now, thankyou—just a project index: BSG5. It has required an even deeper dive into the long-grass of the “RDM-verse.” 

One of the foundations under the text of the Chronicle is a document called the MCS, the “Master Continuity Spreadsheet.” It applies a dense thicket of math and ground-rules taken or inferred from canon to track deployments and careers of various characters (some of whom I ended up using, others not) over forty years, all the way back to Helena Cain’s birth on Tauron. It then presses forward from the Fall, noting the days on which various events occur—thankyou BSGW for the heavy-lifting—and assigning specific days to episodes where BSGW is unsure. (It will, doubtless, appear in the Chronicle‘s tolkene appendices.)

Buuuut… Thinking about what BSG5 would involve, about the mechanics of writing a political thriller (for such it would be) in a created world—“what do I need to know”—it became clear to me that even the MCS, with its carefully-considered detail, was inadequate. So I created a new spreadsheet called the PCS: The “Political Chronology Spreadsheet” and started filling in blanks. Based on “Bastille Day” and assuming a four-year Presidency, we can place the last election at 88.6 months before the fall, and if you keep working backward, you get to an election 616.6 months before the Fall, which lines up nicely with the articles being signed approximately 624 months before the Fall. So far so good, I thought. Furthermore: The articles of colonization are signed 52 years before the fall, and Serge Graystone avers that Caprica—which takes place 58 years before the Fall—takes place 1,942 years after the exodus from Kobol. So let’s assign that as a year: 58 years before the fall = 1942 A.E. in-universe date on Caprica. On that timeline, the Articles are signed in 1948 A.E., and a Presidential election follows in the same year (616.6 months before the Fall, to be precise). On a four-year cycle, we would see elections in 1948, 1952 (-568.6), 1956 (-520.6), etc., and assuming a de facto or de jure two-term limit, and assuming that Presidents were usually reelected, Richard Adar became the 7th President in an upset, defeating the 6th president’s bid for reelection in 1992. Given the show’s penchant for numerology, this has the happy result that Romo Lampkin becomes the thirteenth and last President. 

(Fun fact: In my background notes, every President is named, and those whose names will never be used on the page, at least conspicuously, have names like “Troughton” and “Pertwee.”)

At this point, I had a revelation: If “Bastille day” is .5 months after the Fall (12 days, actually, so a bit of a fudge), then Adar’s term expires 7.5 months after the fall. And that is “within the year” according to Laura—so, okay, for ease of math, let’s say that colonial elections take place on November 15, Caprica City date/time. The Fall therefore takes place on 7.5 months before November 15—April 1. I just about fell out of my chair: “OMG, the Fall was the original April fool’s prank!”

It isn’t; as you’ll see, that date can’t be quite right. But for now, tuck that away in your mind as our opening bid for the date of the attacks: April 1, 2000 A.E.

The timeline of the Fall.

The timeline of the Fall rises from three sources: the Miniseries, “Epiphanies,” and “The Plan.” When I started the third and fourth pieces comprised by the Chronicle, it became necessary to have a more specific understanding of the timeline, and when I put those sources under a microscope along with “Razor,” I became unhappy with the tensions ‘twixt an’ ‘tween. The biggest problem is that the Miniseries presents itself as showing a contiguous timeline over the course of one day: It is morning-stations on the battlestar Galactica, it is morning on Caprica, and we progress thence in linear fashion. That cannot be correct. At that time, I was able to brush past the difficulties for my purposes, and the gist of my in-house memo on the timeline problem is that in the Racetrack Chronicles continuity, we accept “The Plan”’s assignation of 7 AM Caprica City time (“CCT”) as the first stroke of the attacks.

BSG5 demands more precision. To find it, I sat down and watched all three sources back-to-back: Night 1 of the Miniseries, the first fifteen minutes or so of “The Plan,” and the Caprica flashbacks of “Epiphanies.” I made detailed notes, defined a “scene” as a block of contiguous in-universe time regardless of production and editing, and then disassembled each source scene-by-scene, creating a spreadsheet of 75 scenes and assigning each one its most likely local time regardless of where they appear in the running-order. Then I tried to reconcile those timelines into a single correct chronological solution. 

Let’s do something a little different and start with “The Plan.”

The first scene to discuss opens with a chiron that informs us that it is 14 hours before the destruction of the Colonies. Baltar and Six stroll along the Riverwalk in Caprica City; Baltar wears a black, pinstripe jacket and sunglasses, Six wears a fluffy blue jacket over a blouse with grey ruffles at the neck. They chitchat for a while until Baltar excuses himself and Six immediately meets One. They agree that the attack will take place at 7 AM the following day, Caprica City time, which means that this scene takes place circa 5 PM. The shadows are long, and the light is consistent for evening in Vancouver—Caprica City’s IRL counterpart—where sunset on April 1 is at 7:40 PM. (Indeed, generally, I should acknowledge my predicate that Caprica-normal = Earth-normal.)

The second scene to discuss is more complicated because it’s choppy. It is the scene in which the baseships jump into orbit and begin the attack. One of the troubling things about “The Plan” is that the attack feels very laggy; the Cylons lack the urgency one would expect in a carefully-coordinated surprise attack  planned by machines. But just as we have for the Miniseries, let us discard the assumption that the editing is linear and suppose that some scenes are taking place concurrently. If we clock just the screen time of the baseships jumping in and positioning themselves to fire—assuming that the stuff on the ground and the raiders engaging with the orbital defense forces happens while that action is taking place—it takes them about a minute twenty until the first launch that we are shown. And it stands to reason that that launch is in fact the first launch. This allows us to backform the timeframe: We can say that the baseships jump in at a Tori-Amos-approved 06:58:40, take 80 seconds to orient themselves, and then open fire at 7:00 AM precisely. The nukes take about 14 seconds until MIRV separation, and another 6 seconds until the first detonation. (How fast is that descent? Depends on the altitude of the baseships. The lower threshold for a Low Earth Orbit is 160km, whence descent velocity would be 8km/s. The terminal velocity of a modern ICBM appears to be 7kps, so we’re in the ballpark.)

Now let’s think about the Miniseries. While it appears to present us a single, contiguous, linear day in which it is morning on the Galactica and on Caprica, that cannot be so. As we will see, timing several scenes requires some attention to minute detail. Instead of following the on-screen chronology, then, let’s decompose it from the perspective of each piece on the board.

Six and Baltar

We first see Six in the Riverwalk district in the same clothes she wore with Baltar in “The Plan.” One shot gives us a clean, right-angled shadow whence we can infer the time: A woman behind Six stands 3 ⅛” tall on the screen and casts a perfectly perpendicular 4” shadow. The sun is therefore 38 degrees over the horizon, and consulting the chart for Vancouver on April 15, we see that it is either 10:25 AM or 3:55 PM. (Why April 15 not April 1? Wait one.) She arrives at Baltar’s house wearing the same clothes. Baltar is in the midst of an interview that follows the conclusion of a Pyramid game on Gemenon. He and Six have sex. We next see them strolling along the Riverwalk in the same clothes in which we saw them in the scene in “The Plan”; indeed, it is the same scene. Thus, this scene takes place at around 5 PM, which might initially make us think it slightly more likely that it was 3:25 PM when we saw Six strolling through the Riverwalk on her way to Baltar’s house.

The next morning, Six—who has changed her clothes—throws Baltar’s side-bird out of bed, and tells him that the Cylons are returning that day. It appears to be dawn; the light and shadows say that it can’t be earlier than 6:30 AM (again, the chart for Vancouver on April 15), and the fixed time of the attack tells us exactly when the scene ends. We cut away briefly, and when we return, some brief time has clearly passed: Baltar has dressed, and the sun is now low in the sky. No more than 10 degrees. And that’s why the attacks have to be circa April 15, by the way: On April 1, the sun would be only 1.7 degrees over the horizon at 7am, and wouldn’t reach 10 degrees until nearly an hour later. (That also pushes the date of the election back to November 30, for those keeping score.)

At any rate, this scene probably begins at 06:57:31. It runs 2 minutes 49 seconds before the first explosion (which—for the same dramatic reasons that demand that the first launch that we see must be the first launch—must be the first explosion, which we now know was 20 seconds after 7:00 AM. We cut away; it’s not clear how much time has passed when we return, but the pragmatics imply scant minutes. Baltar watches a local news broadcast that is still running until an enormous blast destroys both its studio and its man-on-the-scene, which is presumably the 50MT device that Adama will mention later. (If you want a visual on what that strike looks like, click here to see a 50MT strike on downtown Vancouver.) Fifty seconds later, another bomb detonates nearby, and 28 seconds after that, its shockwave destroys Baltar’s house and kills Six. (If the shockwave is travelling at about 2,000 MPH, as we should apparently expect—so the nuclear people say—the bomb dropped 15.5 miles away.) Some time later in the day, Baltar encounters Boomer and Helo, and escapes from Caprica.


Now let’s follow Laura Roslin. When she visits her doctor, wearing a red blouse under a purple jacket, the shadows cast by the windows are approximately 35 degrees, which implies that it’s either 10:05 AM or 4:15 PM. We cut to Colonial Heavy 798 leaving Caprica; it’s daylight, but impossible to say when during the day—file this question in the back of your mind for now. We learn that the flight to the Galactica will be 5.5 hours and that there is a thirty-minute communications delay; those seemingly-throwaway lines are cornerstones of my reasoning, allowing us to make several calculations (cf. the Racetrack Chronicles background notes). She arrives still wearing the same outfit. Note that we do not know when Laura left Caprica, nor the shipboard time at which she arrived, only that Doral is wearing the same outfit that he wore at morning-stations, that Adama is on-duty, and that Dee is off-duty. At any rate, Laura is shown to guest-quarters, and after some uncertain amount of time, attends the decommissioning ceremony in different clothes. At some time thereafter, Colonial Heavy 798 leaves the Galactica, Laura having changed back into her red blouse. The liner then flies for 2.5 hours, and is three hours from Caprica when news of the attacks reaches them.

But don’t forget about that all-important time-delay that Billy mentioned! The big unknown is how far the Galactica moved relative to Caprica during Laura’s stay; we have too little little basis for speculation, so we have to assume arguendo that her distance from Caprica is steady, even though it likely wasn’t. On that assumption, it follows that if a 5.5 hour flight from Caprica covered a thirty minute delay, the delay between Caprica and a point 3 hours out would be 16.36 minutes. Thus, news of the attacks could not begin reaching Colonial Heavy 798 before 07:16:21 CCT. Nor is it likely to be long after that; presumably news of the attacks spread fast, so let’s assume for sake of round numbers that the scene in which Laura exits the restroom and asks what’s going on probably took place at 07:20 CCT. Colonial Heavy 798 therefore left the Galactica at 04:50 AM CCT.


It is clearly morning-stations when we meet Adama; Gaeta greets him with good morning and “comm traffic from the midwatch,” which is the overnight shift in the Royal Navy parlance whence RDM drew heavily. For now, put a pin in the question of what time the changeover takes place. The XO appears to be going off-duty. Adama walks down to the hangar-deck, where Tyrol appears to be on duty. Walking-time aside, this appears to be roughly contiguous with the previous scene (Adama is still practicing his speech as he walks along the hangar-deck), and certainly takes place during the morning, because he greets everyone with a friendly “morning.” At some point during the day, probably still relatively early, we catch up with Starbuck again; she has showered since her jog, so at least some time has passed between the opening scene and this one. The Triad game is well underway and the CAG’s cigar has burned down a fair way. It looks like the pilots are on-duty; we’re in the ready-room, Helo and Boomer are present, they’re all in flight-suits. Tigh is in duty-blues not fatigues, implying that he hasn’t been back to his cabin to change since we saw him in the opening scene.

When Apollo arrives on the Galactica, Tyrol is on-duty; Boomer and Helo appear to return from some mission concurrently—but it is a cut. All this must take place at some time during the morning, because at the subsequent pilot’s briefing, at which Apollo, Boomer, and Helo are present, the CAG again greets them “good morning.” At some point, Colonial Heavy 798 arrives. As noted above, Dee is off-duty, and Doral is in the same clothes in which we saw him that “morning” (by Galactica time). Apollo visits Starbuck in hack (still in his flight-suit); her statement that she has been waiting most of the afternoon to use her joke implies that it is now at least mid-afternoon. Apollo then changes into dress-greys for the photo with Adama, who also wears dress-greys. Indeterminate time passes, but we next see Adama in dress-greys at the decommissioning ceremony (at which Tyrol appears to be off-duty), and Apollo in a flight suit in the cockpit, listening to Adama speak. Apollo is either still in the cockpit or back in it when Colonial Heavy 798 departs the Galactica—which must take place, as we have already seen, at 4:50 AM CCT.  

More time passes, and Gaeta is back on duty when the clear-text alert comes in; so is Tyrol, it appears. These events cannot take place before 7:30 AM CCT because of that thirty-minute delay between Caprica and the Galactica, and probably not much after it. Let’s say that it took Fleet Command two minutes to get the alert out, and the alert comes into the Galactica at 07:32, whereupon Gaeta reads it, rubs his eyes, re-reads it, and immediately calls Adama. Assume that Gaeta is efficient, and he buzzed Adama within ten seconds of receving the message; they then talk for forty seconds, and give Adama a couple of minutes off-screen to rush to the CIC and organize his thoughts. And assume that the flash alert went out within two minutes of the first strike. It is, therefore, 07:34:50 CCT when the action-stations buzzer sounds.

(Dee is in the CIC when we come in, but she wasn’t necessarily on-duty; the fact that she personally went to retrieve Starbuck when Adama gave that order suggests that someone else was duty CAPCOM and she simply attended the action-stations call.)

At any rate, we cut to the Galactica’s attack squadron, two hours from Caprica. It’s unclear why they wouldn’t have picked up the original clear-text alert, because there is less of a delay between Caprica and them than there is between Caprica and the Galactica, but if the Vipers lack long-range wireless communications, relying on the support Raptor as a relay, the fact that their support Raptor is piloted by Boomer may suggest an answer. (Note that Dipper doesn’t acknowledge the signal himself: He tells Boomer to.) Clearly they’re moving faster than Colonial Heavy 798, which throws our math off slightly, but not beyond tolerance. We can stipulate a delay of approximately eleven minutes to Caprica and sixteen back to the Galactica. Whether they got the original alert or not, their sequence begins with them acknowledging a signal from the Galactica, and in consequence, this scene, which on-screen precedes the one on Colonial Heavy 798 three hours from Caprica, must be out of sequence. It cannot begin sooner than 7:46 AM CCT—the thirty-minute delay for the news to reach the Galactica plus the sixteen-minute delay from the Galactica to the squadron—plus however long it takes for the Galactica to turn the news around. Dee picks up the phone after 2 minutes 40 seconds of seemingly-contiguous time after the action-stations buzzer, which supplies our answer: 7:54 AM CCT, 1959 Galactica time.


“Epiphanies” is a problem. Let’s work through the episode first. We open on Laura in her doctor’s office, the same scene that we saw in the Miniseries, and which we know from our analysis of the Miniseries was at either 10:05 AM or 4:15 PM CCT. The sun is much higher in the sky when she meets Stans at the Riverwalk—there’s no clean shot to measure, but eyeballing it, it looks like about fifty degrees, which says middle-of-the-day. She and Stans stroll along the Riverwalk negotiating. We later see two scenes between Laura and President Adar which appear to bookend the previously-mentioned scenes: One at which Laura says that she has made the meeting, and the other in which Adar says that he regrets how they “left things this morning” and asks for her resignation over what happened at the meeting with Stans.

The chronology would seem obvious. Taken with Laura recalling her doctor’s words during her meeting with Stans, we can say that Laura met Adar first thing in the morning, went to the doctor at 10:05 AM, walked down to the Riverwalk, dangled her feet in the water and reflected on her mortality, met Stans somewhere between 11 AM and 1 PM, and met Adar again in the afternoon. The pragmatics of Adar’s statement require that it is now afternoon, and Laura says that her perspective changed “a few hours ago,” the implication of which must be that it is her diagnosis that has changed her mind. This puts the meeting with Adar no sooner than 1 PM (if it were earlier, it would be “a couple” of hours ago not “a few”), and the sun over Laura’s shoulder is approximately 35 degrees, which would suggest no later than 4:30 PM. Here we have competing incentives: It would seem unlikely that Laura took several hours wandering around in a daze after her visit to the oncologist before meeting Stans, but on the other hand, the pragmatics of her statement to Adar that she “just” met with Stans urge a meeting with Stans later within its time-window and one with Adar earlier in its time-window.

Either way: Although the episode’s running-order cuts back to Laura and Stans, it seems very clear that there is one meeting edited in a non-linear manner, à la “Out of Gas.” (Proof: It is not until this cinematographically-subsequent scene that we see them striking the bargain to which she refers in her second meeting with Adar, so it must precede it chronologically.) Laura concludes her meeting with Adar, saying that she is “on her way to the Galactica” to represent the administration. It makes sense that she would go directly from Cavendish House to the spaceport, meeting Billy there. How long would that take? No way to know. But let’s say for sake of argument that an hour elapses between the conclusion of her meeting with Adar in “Epiphanies” and Colonial Heavy 798’s takeoff in the Miniseries. That gives us a departure window of between 2:10 PM CCT and 5:40PM CCT.

File that away for a moment, because before we leave “Epiphanies,” I mentioned a problem. It is this: Laura believes that she saw Baltar and Six on the Riverwalk during her meeting with Stans. She will later describe this as “just before” and “just prior” to the Fall. (“Revelations”; “Lay Down Your Burdens, part 2”; “Taking a Break from All Your Wories.”) She is almost certainly wrong.

When “Epiphanies” aired, the audience assumed that Laura’s glimpse of Six and Baltar is the same scene that we saw in the Miniseries. But it can’t be, because “The Plan” (written years later) says that that scene took place hours after the latest possible time for her meeting with Stans. For Laura’s memory to be true, we would have to believe that Baltar and Six were on the Riverwalk at lunchtime, made the trek back to his house, did the interview, had sex, and wandered back out to the Riverwalk in the same clothes in time for Six’s 5 PM rendezvous with Cavil, by which time Laura is almost certainly off-world. That’s a tall order. Baltar’s house does not appear to be in Caprica City itself; in Vancouvan terms, he seems to live in Belcarra. It is, to be sure, possible. We have seen that Six is on the Riverwalk in a time index that is either mid-afternoon or mid-morning, and having discarded the assumption that the Miniseries shows us contiguous time, we could suppose that we see Six walking to meet Baltar for lunch on the Riverwalk, allowing Laura to see them, and then they take separate paths back to Baltar’s house for their afternoon rendezvous, and finally back to the Riverwalk in the early evening. But “The Plan”’s insistence that the scene with Baltar and Six on the Riverwalk takes place at 5 PM creates a tension that is most cleanly resolved by a surprising conclusion: Laura’s “memory” of seeing Baltar and Six was the drug-induced false-memory that she worried people would think it was.

The Galactica’s clock

We can now, at last, turn to the question of the last hours of the colonies from the Galactica’s perspective. We can start with a few pointers:

  • In the opening scene of the Miniseries, the liaison officer is killed; he is officially “overdue” by morning-stations on the Galactica. All else being equal, we want to minimize the amount of time that passes between Gaeta relaying this to Adama and the attacks. If you hope to carry off a sneak attack, it would seem tactically queer to tip your hand by destroying an incidental target early.
  • Helo refers to a Pyramid game on Gemenon; surely it must be the same one that Kellan says just ended in her interview with Baltar, mid-afternoon CCT the day before the attacks. Helo expects people to have heard about the game, which presumably has the same delay as Caprica, more-or-less, and the way that he phrases the question not only implies that this is a game that was played the previous night, but it has a whiff of brag, insinuating that he was there for some of it. This could definitely work if Helo flew a Raptor courier to Gemenon late in “the day before” (by the Galactica’s clock).
  • Nothing is spoken, but the feeling in Adama’s cabin when he takes the call is profoundly evening. I can’t really specify why, but it feels late in the day.
  • A couple of things that I bring to the table from the draft of “Galactica” from the Racetrack Chronicles. In the background notes, I established a watch schedule for the Galactica, and so I want a solution that puts people on-watch when that schedule says they should be on-watch and not when not. And when action-stations is called, I have Racetrack and her little coterie of pilots in the galley; a character has just remarked that he has to stand a watch in twenty minutes, so, in a perfect world, I want action-stations to be called twenty minutes before my schedule calls for a watch change.

I won’t belabor this, but I want to give you a flavor of the kind of thing that I did looking for a solution that reconciled Caprica City time with the Galactica’s clock. Here’s a look into how my brain runs through these things.

We can’t know when that game ended or when Helo left. As an opening gambit, I posited that Helo was in town on a courier run and caught the first half of the game. Let’s say the game ended at 9 PM by the Galactica’s clock. And let’s further posit—stretching the timeline a little—that that’s 4:20 PM CCT, giving Six about half an hour to make it from the Riverwalk to Baltar’s Belcarra pad.  (This becomes tricky—maybe we should rethink whether it was the afternoon when we saw her before?) The Galactica’s clock would then be 4 hours 40 minutes fast from CCT. The attacks would take place at 11:40 AM Galactica time, and Colonial Heavy 798 left the Galactica circa 09:30 AM Galactica time. If it had left Caprica at 2:10 PM CCT the day before the attacks, it would have arrived on the Galactica five and a half hours later at 12:20 AM Galactica time, and, if leaving at 5:10 PM CCT, it would have arrived at 3:20 AM Galactica time. But this solution doesn’t work. Unless the timeline is completely bent, far beyond the point where we could be comfortable with it, Laura needs to arrive on the Galactica after morning- stations. We can move around the respective components, but once they intersect on Galactica, that’s the on-screen continuity.

I ran several different possible solutions, but in the end, I asked the obvious question: “Why can’t I just say it’s twenty minutes before watch x by the schedule, and try solutions for each value of x?” And the one that makes the most sense is: The Galactica’s clock is 12 hours, 5 minutes, 10 seconds ahead of Caprica City Time. As we saw earlier, it is 07:34:50 CCT when the action-stations buzzer sounds. If it is twenty minutes before First Watch, it is 1940 by the Galactica’s clock. And this solution works nicely. Gaeta and Tyrol were on-duty for the Morning Watch, and are back on-duty on the Dog Watch when word arrives. Racetrack and pals are off-duty during the Dog Watch, so they would have been off-duty during the Morning Watch, which is why we don’t see her in the Miniseries. (We do, actually: Racetrack wanders past the triad game to grab a snack before heading to her rack—you just never see her face as she walks behind the card-game.) Tigh, having been on duty for the Midwatch the preceding night, would be off-duty. And crucially, this solution works for the intersection between the two timelines, Laura’s departure from Caprica and arrival on the Galactica. It allows Laura to leave Caprica in-window at around 4 PM on April 14, CCT, and arrive on the Galactica at around 0937 on April 15 by Galactica time (9:32 PM on April 14, CCT).

There are a couple of downsides to this solution. The Pyramid game would have ended in the wee small hours by the Galactica’s clock, which means that Helo is working a punishing schedule to be back on-duty the following morning. Adama’s comment that he seems to remember a squadron of mark twos on the starboard flight-deck “yesterday” creates a problem that I will resolve in the third component of Racetrack Chronicles. And it does leave a mystery of why the Cylons destroyed the armistice station at least thirteen hours before the attacks. But, look, the Galactica is on a skeleton crew, so of course they’re busy; and I don’t know—One is a practical guy but numerology plays a big role in the mythos, so maybe Two felt that the symbolism of thirteen was poetic. But most importantly, this solution works better than any other. Any other solution has much steeper drawbacks.

(A brief word about the Pegasus‘ clock, because it illustrates why this stuff matters. In the fourth component of Racetrack Chronicles, I supplied the Caprica-Pegasus time difference, and I just plucked it out of the air to accentuate the point that time in the RDM-verse is tricky. Applying it here, I realized that the time-difference that I specified must be wrong: It calls for Pegasus time to be in the early afternoon when Shaw arrives, but Cain refers to chewing her out as a “midmorning snack.” The Pegasus‘ clock can therefore be no more than five hours ahead of Caprica City and I must correct my draft.)

The Last Hours of the Colonies.

“But wait,” you’re surely thinking! “Can’t we use that solution to disassemble the Miniseries, ‘Epiphanies,’ and ‘The Plan,’ and put their scenes back together in their correct chronological order?”


Yes. We. Can. Here’s the chart:

To make sure this works, I cut together the footage in this correct correct chronological sequence, starting with Laura and Adar and ending with Adama assuming control of the fleet. Unfortunately, copyright won’t permit me to make it public (I do intend to contact Universal and ask them). The bottom line is, the timeline disparities can be ironed out and the story does hang together (mostly—with a little fudge) within the ground-rules of physics. I continue to be very impressed by how well it all works together.